TELE.S.THERION

2023 NEWS:

To be annunced.
"ABWÄRTS [THAUMA - PHÁNTASMA KATALÊPTIKÊ]" - In large ensemble with: To be annunced [Over 16-hours long's suite].

To be annunced.
"IN UMBRA MALITIAE AMBULABO IN AETERNUM IN TRIUMPHO TENEBRARUM" - A concept album based on the almost homonym grimoire created by Abruptum.

To be annunced.
"VERB. D.SVM C.S.T. ARCAN." - In large ensemble with: Lunurumh (Virvel av Morkerhatet, Astral Lueur, Chapter V:F10), Nick Didkovsky, Norman Westberg, Renè Lussier, Roger Turner, Eli Litwin, Massimiliano Viel, Reinhart Hammerschmidt, Kristian Cucchiara (Profanal, In Grief), Stefano Corsi, Dan Blacksberg, Franz Hautzinger.

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C.O.M.M.E.N.T.A.R.I.V.M. | Acousmatic Black Metal zine.

A xerographic zine forged into the literary genre of the commentary. A collection of remarks or annotations excerpts from various essays, hints and recursive reflections to define and re-defining the entire framework of reference; theoretical and methodological assumptions of Black Metal and its origins. Searching for the roots of the meaning of these two terms; their thought-forms; before they became a music genre. Trying to shed light on the practice of art thus defined "Acousmatic Black Metal"; towards a manifesto for a "Non-Aural Black Metal" music. What we commonly know today as Black Metal, it's just one of the possible forms available.

[...] Commentarivm is visual art, not literature, a verbcentric mind map, assembled through imaginative collage techniques, conceptual cut-up, which weaves various levels of research around the work of Tele.s.therion: from the shred of anonymous text, quotations, sentences, to outline the declarative and epistemological presuppositions, the axioms on which this musical theory is based, the archival anecdotes, up to splinters of esoteric anthropology as a "continuum" between cybernetics of the mind, aesthetic production and magic as the science of the self; because giving shape to an artwork or a piece, with the thought, coincides with making that artwork or piece; and this, once formed, it is already capable of revolutionary transformations. Starting from the analysis of the operation of the mind during the process of categoriziation of constructs such as the notion of the "sacred", the "rites", the "black", the "horror", the "music", the "noise", the "thought" etc, the goal is to identify the multiple operations and related mnemonic-attentional dynamics which underlying these mental constructs, to make them an operational tools for the aesthetic experience. In these atypical bulletins a wide range of sources are collected, but they are kept together without epitextual and peritestual apparatuses, since here, the function of the text is mainly phatic. The pagination method in itself is deliberately difficult to approach, not very fluid, the chosen typeface and the monotonous style of paragraphs are designed to require greater attention and concentration to the reader, who will have to make a further effort to keep his attention in the time, and penetrate the text, the words, while reading. For example, some small syntactic typos, mispelling errors or haplography and dittography errors, signal words, etc., have been intentionally inserted, or leaved incorrect, in the redaction of the bulletins, as it will help the attentive reader to dwell on the analysis of the text, and on the its levels of meaning. The aim is to give body and life to a self-referential system, in which the impossible, the invention and the hallucination coexist showing the iron laws that bind them to the plausible, to the ideal, to the real! These and many other analyzes are thus collected to expose, with the approach of conceptual art, the methods and praxis of the "Acousmatic Black Metal", and of the "Non Aural Black Metal", which succeeding the first postulate, for "reductio ad unum", confirms the consistency, [...]

TELE.S.THERION | Acousmatic Black Metal Ensemble.

Acousmatic Black Metal | Music for loudspeakers and audience: based on atonal music and non-idiomatic improvisation principles, applied to a radical Black Metal approach, linked to authors such as Abruptum, Hellhammer, Bathory, Gnaw Their Tongues, Emit, Amaka Hahina, Moëvöt, Profane Grace, Astral Lueur, Black Pentecost, Darkness Enshroud, Sunn O))), Grauen Pestanz, Summum, Kranivm, Burial Hex, Flittering, Utarm, Wolf Eyes, etc. Following the non-musical aural path of Beherit, Blasphemy, Von, MZ.412, Havohej, but also AMM, Gruppo Improvvisazione Nuova Consonanza, Spontaneous Music Ensemble, Musica Elettronica Viva, The Music Improvisation Company and many more authors who moved from the borders of this sound paradigms. Inspired by the Luigi Russolo‘s researches in his black Art of Noise; the sound studies of Karlheinz Stockhausen and his music theory; Edgar Varese‘s studies and his vision of “sound as living matter“, the non-objective and aniconic art of Tele.s.therion, is centered on polyphonic sound projections for immersive deep listening experiences, in order to unleash the auditory stimuli that allow the altering of cognitive-perceptual processes (pareidolia), to bring out imaginative and synaesthetic subconscious processes, the epopteia!

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ALL HAILS TO THE MASTERS:

Milton Ernest Rauschenberg; Hellhammer; Antoni Tàpies i Puig; Pierre Schaeffer; Jannis Kounellis; Moevot; Francois Morellet; Beherit; Abraham Moles; Blasphemy; Paul Watzlawick; Von; Antoine Pevsner; Amaka Hahina; Lamberto Pignotti; MZ.412; Solomon LeWitt; Burial Hex; Iannis Xenakis; Takehisa Kosugi; Havohej; Darkness Enshroud; Groupe de Recherches Musicales; Giovanni Maria Colombo; Abruptum; Leucippus of Miletus; Michel Chion; Ernst von Glasersfeld; Zero Kama; Mauricio Raúl Kagel; Josef Albers; Van Der Graf Generator; Dom; Richard Carter Higgins; Pentagram; Skip James; Gruppo T; Gianfranco Baruchello; Einsturzende Neubauten; Ian Carr; Summum; Howling Wolf; Virgin prunes; Maya Deren; Arthur Brown; Umberto Boccioni; Swans; Franz Jozef Kline; Gruppo di Improvvisazione Nuova Consonanza; Richard Serra; Kazimir Severinovic Malevic; Black Sabbath; George Maciunas; Sylvester Anfgang; Profane Grace; Pol Bury; Emit; Universe Zero; Havohej; Luciano Ori; Zḕnōn ho Tarséus; Grauen Pestanz; Protágoras de Abdera ; Utarm; Miles Davis; Ramon Llull; Bauhaus; Wolf Eyes; Kranivm; Flittering; Karlheinz Stockhausen; Current 93; Pietro Grossi; Joseph Kosuth; Diamanda Galas; Joseph Beuys; Christian Death; Ludwig Andreas Feuerbach; Brice Marden; Cliff Burton; George Brecht; Sodom; Milton Hyland Erickson; Ornette Coleman; Gottfried Wilhelm von Leibniz; Infernal Majesty; Bruno Munari; Anthony Braxton; Gregory Bateson; Ennio Morricone; Venom; Vito Acconci; Zḕnōn ho Kitièus; Wilburn Burchette; Immanuel Kant; Possessed; Groupe de Recherche d'Art Visuel; Gorgĭas; Eddie Prévost; Kenneth Wilbur Anglemyer; Norbert Wiener; Rudolf Schwarzkogler; Mercyful Fate; Parmenides of Elea; Robert Ashley; Silvio Ceccato; Gene Simmons; Piero Bargellini; Chrýsippos ho Soléus; Keith Rowe; David Hume; Amon Duul; Hērákleitos; James Stanley Brakhage; Bathory; Pierre Henry; Magma; Margaret Mead; Paul Chain; Musica Elettronica Viva; Ugo Carrega; Faust; Francesco Lo Savio; Spontaneous Music Ensemble; Amedeo Rocco Armentano; Alvin Lucier; Ludwig Josef Johann Wittgenstein; John Fahey; Emilio Isgrò; Antonius Rex; Francisco Varela; Il Balletto di Bronzo; Ludwing von Bertalanffy; Sunn O))); Giuseppe Andrea Lombardini; Bulldozer; Eugenio Miccini; Guru Guru; Umberto Eco; Giuseppe Chiari; Glenn Danzig; Adolph Dietrich Friedrich Reinhardt; George Berkeley; Mircea Eliade; Nana Vasconcelos; Lev Vygotskij; The Music Improvisation Company; Gordon Mumma; Hermann Nitsch; Acanthus; George Alexander Kelly; Death SS; Max Bense; Nucleus; Enrico Castellani; William Ross Ashby; Amoon Duul; Movimento Arte Concreta; Warren Sturgis McCulloch; Geezer Butler; Paolo Gorini; John Coltrane; Pythagoras of Samos; Gruppo N; Dylan Carlson; Aristippus of Cyrene; Black Widow; Douglas Richard Hofstadter; Hugh Hopper; Franco Battiato; Art & Language; Walter Harry Pitts; Giovanni Battista Negroni; Throbbing Gristle; Dēmókritos; Misfits; William Ross Ashby; Matching Mole; Clinton Richard Dawkins; Samhain; Francesco Spirito; Thales of Miletus; Necrodeath; Hilary Putnam; Luup; Robertus de Fluctibus; Humberto Maturana; Emilio Scanavino; Coven; Sarcofago; Pasquale de Servis; Valentina Ponomareva; Alberto Biasi; Sagatrakavashen; Markus Yakovlevich Rothkowitz; Claude Elwood Shannon; Edgar Varese; Lucio Fontana; Luigi Carlo Filippo Russolo; Giacinto Scelzi; AMM; Giacomo Balla; Jack DeJohnette; Vincenzo Accame; Boyd Rice; Giovanni Pontano; Mani Neumeier; Girolamo Segato; Vomir; Nurse With Wound List; Alberto Burri; Donatien Alphonse François de Sade; Magma; Giustiniano Lebano; NON; Frank Stella; Sanctis Ghoram; Johannes Itten; Atrax Morgue; Sun Ra; Goblin; Tommaso Tozzi; The Velvet Underground; Norbert Wiener; Efisio Marini; Milford Graves; Bedemon; Jacula; Necromandus; George Boole; Amon Düül; Ernesto De Martino; Derek Bailey; Prior Vincenzo Piccini; Mauricio Kagel; Alberto Grifi; Demetrio Stratos; Antonio Corradini; Gila; Marco Stroppa; Almir da Silva Mavignier; Soft Machine; Gaetana Ketty La Rocca; Third Ear Band; Luigi Nono; Robert Motherwell; Luciano Berio; Clyfford Still; Arpia; Bruno Maderna; Anton Webern; The Haters; Antonio Bartoccetti; Arturo Reghini; Tangerine Dream; John von Neumann; Whitehouse; Giambattista Vico; Faust; Don Raimondo De Sangro di Sansevero; King Diamond; Jean Rollins; Domenico Giuseppe Salerno; Teo Macero; Antonio Calderara; Heinz von Foerster; Alban Berg; Umberto Amedeo Alberti di Catenaia; Univers Zero; Edwin Parker Twombly; Anthony Braxton; Fred Frith; Emilio Scanavino; György Ligeti; Giuseppe di Sanmartino; Barnett Newman; Anatoly Vapirov; Aleksandr Michajlovic Rodcenko; High Tide; Ellsworth Kelly; David Tudor; Henryk Berlewi; Astral Lueur; [...]

LEMMATIZATION:

Acousmatic Black Metal; Avant-garde; Black Ambient; Black Industrial; Black Noise; Dark Ambient; Electroacoustic; Experimental; Conceptual Music; Conceptual Art; Jazz Rock; Free Improvisation; Free Jazz; Freejazz; Noise Black Metal; Ritual Ambient; Free Improvisation; Acousmatic Music; Black Metal; Absolute Music; Visual Poetry; Sound Art; Radical Constructivism; Acousmatic Improvisation; Compositional Method; Music Theory; Music Notation; Art Of Noise; Musique Concrete; Atonal Music; Doom Metal; Drone Metal; Drone Doom; Dark Metal; Music Theory; Anti Art; Drone Doom Metal; Performing Arts; Bestial Black Metal; Art Rock; Counterculter; Hard Boiled Literature; Subculture; Anthropology; Aniconic Art; Iconoclasm; Dissonance; Atonalism; Post Music; Hermetism; Jazzrock; Improvised Black Metal; Occultism; Esoterism; Cybernetics; Op Art; Violet Magic; Avataric Magic; Therory Of Mind; Suprematism; Epystemology; Anti Music; Constructivism; Bruitism; Noise; Tele S Therion; Non-Representational Art; Concrete Music; Expanded Literature; Theory Of Perception; System Of Beliefs; Sound Phenomenas; Chaotic Black Metal; Linguistics; Musicology; Third Order Cybernetics; Second Order Cybernetics; Boolean Logic; Semantic Operation; Semantic Logic; Reading Exploitation; Poesia Performativa; Propositional Logic; Zeroth-Order Logic; Predicative Logic; Experimental Notation; Demonology; Black Mass; Vodun; Macabre Rites; Arcana Jerogliphica; Paranoid Critical Method; Chathagocic Operations; Dissacration; Magic; Rituality; Necromancy; Avataric Magic; Sacrifice; Vodoun; Ceremony; Blasphemy; Sacred; Egypt; Etruscan; Aghori; Stoicism; Antropology; Paraphernalia; Buddhist Logic; Kaula Circle; Chant À Voix Chuchotée; Auditory Hallucination; Ethnomusicology; Abstract Machines; Pareidolia; Apparent Behaviour; Subjective Rhythmization; Liminality; Hypnotic Language; Inner Speech; Inner Language; Violet Magic; Arcana Arcanorum; Telestherion; Radical Matters; Radicalmatters; Fanzine; fanzine; zines; zines_inbox; art zine; diy; visual arts; art; zine; art; diy; Radical Matters Editions Label;